You have to admire the career of Jason Statham, a man with no great acting skill, but a great physique and the ability to growl his way through a script. Most of his Hollywood flicks have been visually stunning, somewhat bonkers and require an absolute suspension of disbelief. Blitz, set in and around Clerkenwell is much grittier fare, yet beneath its fast paced exterior is a plot that is riddled with as many holes as a large chunk of Gruyere.
Statham plays Brandt, a South London copper close to burnout. A serial killer is targeting and killing police officers working at his station, forcing him to team up with new boss Porter Nash (Paddy Considine) an openly gay officer, to track down the killer before he claims any further victims.
It’s by the numbers stuff. Hampering the investigation is hack journo Harold Dunlop (David Morrissey) who gets embroiled as the killer, who calls himself Blitz, gets the maximum press for his crimes. This is no whodunnit, the identity of the killer is known from pretty much the beginning (a sleazy Aidan Gillen) but we watch as Brandt and Nash piece together the clues.
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